gerlach en koop

Solo exhibitions include kunstboeken (naast de kunst) / artbooks (beside the art), library
Van Abbemuseum, Eindhoven NL (2004); ruim schrijven, Kröller-Müller Museum, Otterlo NL (2008);
En gerlach en koop, 1646, The Hague NL (2010); Niet niet precies. Not not precise. Pas pas précise.
Ellen de Bruijne Projects, Amsterdam NL (2010); (at last) under the influence of that strange
perplexity of inert irresolution
, Ruler Space, Helsinki FIN (2011); Others’ Structures,
New Existentialism part 6, Gebert Stiftung für Kultur, *KURATOR, Rapperswil-Jona CH (2012);
Varying Degrees of Ajarness, Ellen de Bruijne Pojects, Amsterdam NL (2013); Choses tuées,
de Appel arts centre, Amsterdam NL (2015), Choses tuées Temporary Gallery, Cologne DE (2016);
:, Bonnefantenmuseum, Maastricht NL (2016)

They have participated in group exhibitions such as 'Lost Tongues Rediscovered’, Stroom Den Haag,
The Hague NL (2007); ‘Master Humphrey’s Clock’, de Appel CTP 07/08, stanley brouwn pavilion,
Utrecht NL (2008); ‘Radical Autonomy’, at Le Grand Café, Saint-Nazaire FR (2009) and
‘Radical Autonomy / nieuwe werelden van niks’ at Netwerk, Aalst BE (2011); ‘Faux Jumeaux’,
S.M.A.K., Gent BE (2009); ‘For the blind man in the dark room looking for the black cat that
isn’t there’ at de Appel, Amsterdam NL (2010); ‘Keep floors and passages clear’ at White Columns,
New York US (2011); ‘Found in Translation, Chapter L’, at Casino Luxembourg L (2011);
‘Autumn of Modernism’, de Vleeshal, Middelburg NL (2012) and ‘Autumn of Modernism II’,
Temporary Gallery, Cologne DE (2012); Hors Les Murs, Jardin des Tuileries, FIAC, Paris F (2012);
'United We', Stroom Den Haag NL (2013); ‘MOREpublishers present’, Mu.ZEE, Oostende BE (2013),
'When Elephants Come Marching In', de Appel, Amsterdam NL (2014); Baltic Triennial, CAC Vilnius LT
and Galeria Bunkier Sztuki, Kraków PL

own titles, ‘other peoples titles’